This is a very different style of composition. I think it represents a much broader trend throughout music, the arts and philosophy away from ideals and naïveté and towards a more cynical and realistic approach. This trend is very old; we saw it, for example, in the transition from the simplistic, idealized kuoros to more complicated Hellenic works. To extend it to its extreme à la Prokofiev, we have more modern artworks like Duchamp's Fountain and Salvador Dalí's Chien Andalou, which are similarly grotesque and morbid. I suppose that as society gets more tired and complicated, people become disillusioned and this disillusionment gets reflected in art.
Thursday, October 10, 2013
Dissonance vs. Consonance
Megan mentioned in our presentation on music that early polyphony was usually large, "consonant" intervals (separation between tones). If you have a piano, you can demonstrate consonant intervals by holding some combination of the C, E, and G keys (with which you can make a perfect 5th, a perfect 4th, a major third, a minor third, or a perfect octave). The Ave Maria chant we listened to, for example, consisted only of such intervals--the notes did not ever clash at all. Later music, however, displays a steady trend toward more and more dissonant intervals; that is, close intervals like the minor second (B and C is an example on the keyboard) or various seventh intervals (like A and B). Such intervals have a much harsher sound. A good example of this trend taken to an extreme is the music of Sergei Prokofiev (1891-1953), the composer of, among other things, Peter and the Wolf. Here's a recording of his Diabolic Suggestion:
This is a very different style of composition. I think it represents a much broader trend throughout music, the arts and philosophy away from ideals and naïveté and towards a more cynical and realistic approach. This trend is very old; we saw it, for example, in the transition from the simplistic, idealized kuoros to more complicated Hellenic works. To extend it to its extreme à la Prokofiev, we have more modern artworks like Duchamp's Fountain and Salvador Dalí's Chien Andalou, which are similarly grotesque and morbid. I suppose that as society gets more tired and complicated, people become disillusioned and this disillusionment gets reflected in art.
This is a very different style of composition. I think it represents a much broader trend throughout music, the arts and philosophy away from ideals and naïveté and towards a more cynical and realistic approach. This trend is very old; we saw it, for example, in the transition from the simplistic, idealized kuoros to more complicated Hellenic works. To extend it to its extreme à la Prokofiev, we have more modern artworks like Duchamp's Fountain and Salvador Dalí's Chien Andalou, which are similarly grotesque and morbid. I suppose that as society gets more tired and complicated, people become disillusioned and this disillusionment gets reflected in art.
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