As we began discussing One
Hundred Years of Solitude, Marquez himself started to remind me of the
main character in Tim Burton’s, Big Fish
(it was originally a book but I’ve only seen the movie). In the movie, a son
tries to recount the events of his father’s life, but from what he has been
told, cannot separate truth and fiction. Throughout the son’s life, his father
told fabricated stories about his past. Waiting at his father’s deathbed, the
son asks his father to finally tell the stories of his past the way they
actually happened. The son becomes frustrated as the father continues to tell
the same fictitious stories and neglects fact. The son begins to believe that
he will never truly understand his father.
Marquez and the father’s stories both contain elements of
magical realism. Both serve as a fantastic metaphor to the past. As we later
discover, there are elements of the truth in the father’s story. The father only
embellished his actual past with interesting fables. The son believes he never
knew his father, but truly, the tales are what defines the father. Marquez uses
mythical elements to create an image for Latin America; likewise, the father
uses these elements to create his own identity. Both Marquez and the father ask
their audiences to trust in the “marvelous real.” While Marquez isn’t retelling
his own past, he is basing his stories off of Latin America’s past. Both the
father and Marquez use elements of reality and magic. By changing their stories
to be accurate and factual, they loose parts of their own identities. Fiction
and reality coexist throughout both of their stories. Eventually, the son
accepts that the father will immortally live on through his stories and that
the stories became part of the father. Marquez and the father both use magic to
create memorable identities.
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